The view from the California Tower at the San Diego Museum of Man is magnificent.
To the east are arid mountains set against perfect cornflower blue skies.
To the south is the arc of the Coronado Bridge – high enough to let masted ships pass – then Mexico.
To the southwest are the modern glass shapes of downtown San Diego.
To the near west is the stark white Cabrillo Bridge, then further out the dark spur of Point Loma and the twinkling Pacific Ocean.
To the north are San Diego homes and businesses.
Peaking at 208 feet above the ground on elevated land in the city’s green jewel of a park, the California Tower and its companion the California Dome are the most recognizable architecture in San Diego.
Despite the amazing vistas, few living people have stood inside the Tower and looked out: there has been no public access to that view for more than 75 years.
That could change. Earlier this year, the San Diego City Council funded a study to examine the possibility of reopening the Tower. The staff at San Diego Museum of Man dream of offering Tower tours to the public.
Ideally, the Tower would re-open for the 2015 Centennial Celebration. This year-long festival will celebrate the 100th birthday of Balboa Park, which was created for the 1915 Panama-California Exposition that memorialized the opening of the Panama Canal.
Built as one of three permanent buildings for the exposition (along with two other structures in Balboa Park: the Cabrillo Bridge and the Spreckels Organ Pavilion), the California Tower and Dome are an amalgam of Spanish and Mexican styles. These iconic buildings are so compelling in their design that they were used as the exterior shot of Charles Foster Kane’s Xanadu Mansion in Orson Welles’ movie, Citizen Kane.
Originally, the buildings housed the San Diego Museum Association, established in 1915 as a museum of anthropology. Later, the association changed its name to the San Diego Museum of Man (with “San Diego” added in 1978). The Tower continues to be part of the San Diego Museum of Man today, ringing out a welcome to all who visit Balboa Park.
Instead of large cast bells, the Tower’s music comes from an electronic carillon installed in 1946 and upgraded in the 1990s. A musician sits at a standard musical keyboard and plays the tunes, which are translated to signals for programmed bell-ringing later. The bells are small but highly amplified – real metal is hitting real metal when the Tower’s tones are heard.
The dream of re-opening the Tower is not a sure thing. Many problems and concerns need to be addressed including ones of accessibility, building codes, costs, maintenance issues, and more.
If public access to the Tower is approved, it will be the reinvigoration of a public good, a revitalization of a civic space, and the greatest photo opportunity in all of San Diego.
Grant Barrett, Marketing Manager